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Women’s weirdest dream sequences (in films that range from the obvious to the obscure)
Tenebrous Kate looks at dreams from Italian giallo films
Classical Harpist Riza Printup
John Epperson (as seen in Black Swan!)
Presentation by burlesque dancer Iris Explosion
Free Snacks by “The Food Daddy” Cas Marino
Joe’s Pub cabaret star (“The Shells Show“) Roslyn Hart
Black Phoenix Alchemy Lab donated “Somnium” fragrance samples. Each one is meant to have a different effect on your dreams.
and plenty more!
ThisKevin
the adventures of Kevin Maher, writer-comedian
Today marks the 78th anniversary of the world premiere of KING KONG
The 1933 film opened — where else? — in New York City. The film screened at the RKO Roxy and Radio City musical Hall.
The moving picture was met with great reviews and general amazement.
On Hollywood’s most self-important night, I hosted New York’s only official screening of the Academy Awards, at the Paley Center for Media. It was a weird night with a most eclectic-audience (not my usual downtown/Brooklyn regulars.) But it made for a fun evening. Audience members enjoyed plenty of food and booze, while watching the pre-show and the ceremony.
From 8 o’clock until the end of the live telecast, I did comedy bits, movie trivia, dramatic readings of #Oscar tweets. Plus interactive games like “The Google Algorithm Quiz: Oscar Edition” (where audiences had to guess which actor’s name brought up certain keywords when being entered in the Google Search enging. For example, “Which actor/actress brings up the word “terrorist”? Answer: Mark Ruffalo.)
On stage was joined by my old Kevin Geeks Out producer M. Sweeney Lawless, plus old friends from Best Week Ever: Norman Baker and Caroline Waxler, and from Lucky Magazine fashion expert Christina Anderson. The commented, tweeted and even joined two audience members for a live throwdown battle of “6 Degrees of Kevin Bacon.” (In the end it was an audience member who linked Kevin Bacon and Colin Firth in only three degrees.)
(Click Here to hear the VIDEO DEATH RAY podcast about ROLLERBALL)
I love 1975’s Rollerball.
I first saw the Norman Jewison movie as an adult while writing a comedy screenplay that was set in a 1970’s vision of the future.
Kevin Maher is an Emmy-nominated comedy writer, whose work has been seen on HBO, AMC, CNN, Comedy Central, VH1, TV One, FEARNet, and Nickelodeon. His short films have been shown everywhere from MOMA to Troma, with screenings outside of Sundance and Cannes.
Working with Kanbar Entertainment, Kevin co-authored seven treatments for animated feature films, developed two animated television series and co-wrote a sequel/Holiday special to the hit animated movie Hoodwinked!
One of my favorite places in all of New York City is the Paley Center (formerly the Museum of TV and Radio. I will always call it that, the same way I’ll always call The PNC Bank Center “The Garden State Arts Center”) because there’s something amazing about communal TV viewing.
A pessimist would point to the cliché novelties, crossover comics, books, gimmicky poetry, etc., as though the undead-merchandize is a zombie plague in itself, with mindless products walking (or running) across the multi-media landscape.
The premise is simple: a small group of tourists abandon their stranded tour boat and seek shelter on a creepy island. One-by-one the tourists are killed off by a platoon of un-dead Nazi-monsters. But what makes this film so special is the haunting synthesizer score, the winning lead performance by Brooke Adams, and the abundance of big ideas in a B-movie.
There’s an excellent video that’s making the rounds, aimed at subverting the stereotypes of Sub-Saharan African Communites. What better way to illustrate that point than to showcase a 9-year-old boy recapping the plot of Schwarzenegger’s 1985 classic COMMANDO?
A very cool project, no doubt. (Learn more about the project here)
But just for the record, my 2-year-old boy was reciting “kill lines” from COMMANDO way before this other video went viral. I recorded it last year, as part of a short-lived series called “Diary of a Cool Dad.”
Today’s script was written as an exercise in style, I was going for the pace and self-importance of Ernest Lehman’s The Sweet Smell of Success. For better or worse, this sketch was never produced. Photograph by Herman Yung.